Likewise, it could deliver some clever metacommentary with Karlo himself being an actor, and an actor gradually losing his mind and sense of morality under the weight of expectation and his own ego. The story could have a sort of Phantom of the Opera atmosphere to it, with Karlo’s story being a blend of horror and tragedy. It’s an exciting concept on paper and the backstory and affliction that Basil Karlo/Clayface deals with could fit the genre seamlessly, should the right director/writer come along. making it distinct in a marketplace dominated by superhero films. Having an R rating doesn’t guarantee commercial success by a long shot, but it could let a hypothetical Clayface movie dabble into the horror genre. While making an outright Batman movie rated R wouldn’t be palatable, Joker could justify characters like Clayface venturing into more creatively risky territory. Non-Joker villains would arguably fit the latter better because the Caped Crusader’s lesser-known cast of rogues could be developed and explored without the need for them to be in direct conflict with the Dark Knight - that can wait until The Batman 3 or 4. Fleshing out the DC Films catalog with anthology-style movies would, in a way, be the best of both worlds when it comes to Batman and Batman-adjacent representation in live-action. Freeze don’t seem to be out of the question for The Batman‘s sequel, but villains like Clayface and Man-Bat would likely do best in their respective sandboxes where they’re allowed to get as weird as possible.
That propensity for groundedness began thanks to Christopher Nolan’s The Dark Knight trilogy, but there’s arguably still some wiggle room for the eccentric. Cracking open Batman’s vast rogues’ galleryĭirector Matt Reeves ( Cloverfield, War for the Planet of the Apes) and Robert Pattinson ( Tenet, The Lighthouse) ushered in a new era for the Dark Knight in The Batman, one that’s dripping with crime-noir tones that home in on the vital yet often neglected “detective” element from the source material.
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